#1136 Art Projects

Posted on July 31, 2017 by admin

It’s a summer of art – art is everywhere.
La Machine recently roared through Ottawa. Crowds are looking for the fun.
That’s big art. Public, government-funded, fun art. I like it.

La Machine – public performance art

Art looms in smaller and less obvious ways…
I recently finished the first part of a year long Forest School Practitioner’s Course. We explored many of the aspects of Forest School and were asked to build tree cookies, shelters and wooden mallets as part of our teacher training. I loved making a mallet from a small cedar log and others became immersed in the art of art of crafting wood into pieces of practical art.

Craft art

“Oh, I’m not an artist…”
I don’t accept that (but I don’t tell them I don’t accept that.)
Instead I urge them to just look, see, click. Smartphones are wonderful creative tools that open people’s creative brains. Look, see, click…

I offered two art walks related to my recent Watershed Exhibitions. We explored two parts of the Chelsea Creek watershed and I challenged participants to recognize or create art in any way they could. The art started flowing – it made me smile. By the end one participant started talking about triangles in composition – made me smile again.

It’s nice to see people pushing their limits… I recently taught a film photography course to someone whowanted to try something new

Art is everywhere
© Stephanie B.

Dr. Ken Robinson suggests children are creative artists but slowly lose their fearless creativity.

Art is everywhere.
Notice it.
Try it…

#1135 Watershed Exhibition at La Fab; Chelsea, Quebec

Posted on June 6, 2017 by admin

Edit…
See the CBC article.

Excited, I am!
Come visit brand new works at La Fab in Chelsea, Quebec.

Details:
Vernissage – Wednesday, June 28th, 2017; 5:30 – 8pm.
La Fab; 212 Old Chelsea Rd., Old Chelsea, Quebec.
Show runs until July 23rd.

Watershed – Chelsea Creek flows through Old Chelsea, Quebec.

I’ll be showing my latest Watershed works, currently being framed.

They are captured directly on paper inside one of two large cameras including an 8×10, home-made, 50 pound, plywood camera/tripod. Each photo from these cameras is unique – no negative or fine art digital file exists.

Harry Nowell creates one-of-a-kind photographs.

Home-made plywood 8×10 camera. Photo paper is placed directly into the camera resulting in a one-of-a-kind photo – no printable digital file or negative exists.

I’ll also be presenting a brand new line of affordable, frame-able, colour Watershed Smalls.

The Watershed Story:
Almost 20 years ago my dear old dog, Tigger, and I wondered where the little creek behind our home runs…

Initially, a fun muddy adventure, we kept exploring up and down stream. After a few years I realized the art potential of such a project. In early years I shot predominantly on medium format slide film and produced large prints, limited to a print run of 5 of three different sizes.

In 2012 I discovered a process to place photo paper directly in larger format cameras creating one of-a-kind artworks.

In 2013 I built a plywood 8×10 camera to accommodate the larger direct paper process. With a year or two of experimentation I started producing works I was happy with. One element I love about the one-of-a-kinds is the basic process – no darkroom or digital manipulation process is possible. I get one chance to get it perfect in the camera – read a little about the process. Each photograph is unique – only one is produced.

Recently, I have started exploring with a smaller, colour, digital process. They are small, frame-able and affordable. There is no print limit on the smalls.

A reclaimed farm rests beside the Chelsea Creek watershed. Boulders remain as a reminder of clearing the fields. This is one of our new line of “smalls” available at the show.

Supporters
Ottawa River Keeper will support our visual adventure at La Fab. Why? Watershed is a 16 year visual journey (so far) along the Chelsea Creek 25 km watershed. Chelsea Creek flows (eventually) into the Ottawa River. We’re all connected – there’s just one watershed in the world. A small percentage of your Watershed sales at La Fab is donated to the Ottawa Riverkeeper.

La Fab
La Fab is the gallery closest to the inspiration for the Watershed work. I started following the Chelsea Creek watershed in 2001 where an unnamed tributary trickles behind our home. I can follow the creek from our home almost to the gallery. I hope to do one artist’s talk creekside.

Hendrick Farm
A long stretch of Chelsea Creek ‘Watershed’ project meanders alongside the Hendrick Farm development in Chelsea. I am grateful for their support!

I’ve teamed up with some masters specializing in their craft:
1. Dave Andrews, master printer prints my colour works – both large and small.
2. Marie-Helene Drolet, master darkroom technician, processes and helps me experiment with my direct-from-camera paper processes.
3. Mark Kittridge, fine furniture builder builds frames for my Black & White direct-from-camera originals. Like the unique photos they protect, each frame is hand crafted.

Custom, hand-built frames

Our last show was very well received.
For best selection, visit the gallery early.

Details:
Vernissage – Wednesday, June 28^th, 2017.
La Fab; 212 Old Chelsea Rd., Old Chelsea, Quebec.
Show runs until July 23^rd.

Watershed Photography – Capturing Chelsea Creek on large format cameras.

#1134 Upcoming Watershed Events

Posted on May 17, 2017 by admin

Follow the Chelsea Creek Watershed with two events this summer. I have explored 20 km of the watershed over the last 16 years. I’ll be sharing some of my experiences at three events:

1. An Adult Forest School evening to explore the Chelsea Creek Watershed and…
2. An Ottawa School of Art photo workshop based on the art of “Watershed.”
3. Watershed Art Exhibition – details to come…

Chelsea Creek watershed

1. Adult Forest School Along the Watershed.
Join us the evening of June 15^th for a Forest School inspired play date – just for adults.
As a Forest School teacher I’ll lead you on an exploration of a small part of the Chelsea Creek watershed.

Meet at 7pm at Dunlop Picnic Field across from P9 in Gatineau Park.

By starting our adventure at Dunlop we will see three significantly different parts of the watershed. Be prepared for some hiking as we travel up hills and across flat terrain. We will stop to investigate interesting elements of the watershed.

Details:
June 15^th; 7pm – 8pm.
Dunlop Picnic Field across from P9 (Meech Lake Rd.) in Gatineau Park.
Cost – Suggested donation $10.
Registration – send me a message – or connect on Facebook – and show up!

Please bring:
• Curiosity and smiles.
• Sturdy, comfortable footwear.
• Lightweight, long sleeve and long pants – ideally a nylon or quick drying variety. Think of gardening clothes. You may come back a little muddier than you started…
• Bug repellent –a citronella based product is effective.
• Water and (nut free) snack.

Chelsea Creek Watershed

Watershed Photography Adventure and Workshop
Bring your cameras as we will be expanding creativity alongside the Chelsea Creek watershed, a 16 year art project starting in Harry’s backyard. Slowly, “Watershed” has grown into a travelling and expanding exhibition.

Harry Nowell leads this photo/art adventure following in the footsteps of his “Watershed” project following Chelsea Creek through Gatineau Park and Chelsea. On the first evening Harry will briefly discuss his long-term project including inspiration, process, and equipment.

Discussions will include:
• Technical and creative challenges.

We may also discuss:
• Art project development – what it takes to create a body of work.
• Equipment choices and demonstration of large format equipment.
• Opportunities /challenges of traditional, digital, analog and unusual formats.

Practical challenges:
Harry will introduce students to different areas of the Watershed project and guide participants to stretch their artistic practice, whether artistically or technically.

Critique:
Harry will offer critique to the participants on an ongoing basis. Digital cameras will offer the most immediate feedback but other formats are encouraged. Participants may email a small selection of photos for critique after the workshop.

Details:
Friday, Saturday and Sunday, August 11, 12, 13
Cost: $300
Register through Ottawa School of Art – scroll down to “S17DAA7: Creating Photo Artwork on the Watershed”

Prior to formal teaching Harry worked as a commercial photographer and arts teacher for 20 years. He has explored 20km of the Chelsea Creek watershed over 16 years. His photo project “Watershed” currently captures photos on a 22 kg, home-made, plywood camera.

Large Format Photography – Chelsea Creek Watershed

See you soon!
Another exhibition of Watershed artwork is coming up towards the end of June…

#1132 Watershed and SunStreaks Exhibition at Chrichton St. Gallery

Posted on March 24, 2017 by admin

Join us on April 7th to celebrate watersheds everywhere with a vernissage of original photographs captured along the Chelsea Creek watershed. Following the Chelsea Creek watershed for 16 years (and over 20 kilometres) I have seen abandoned cars, dramatic changes and solitary beauty.

The whole Watershed project started near this little bridge… The creek runs behind our home and, in 2001, I wondered “Where does the little creek go?” 20 km later I am still following Chelsea Creek with my cameras…

The creek in Chelsea, Quebec that infected me with curiosity for the Watershed project.

Also on exhibit are innovative SunStreaks. Using an old blueprint chemistry I capture the path of the sun directly onto paper mounted inside a plywood camera.

SunStreak – Meech Lake, Quebec. The sun’s path burns a line across the sky (and through the paper!)

Current work for both projects is captured in two cameras – a commercially manufactured 4×5 camera and a home-made, fully functioning 8×10 plywood camera.

Recent frames are also hand made by fine furniture builder, Mark Kittridge.

The 8×10 home made camera with SunStreaks. The camera and tripod weigh 50 pounds.

No negative or digital file is created while capturing the artworks. In both projects the final paper was placed directly in the camera. Through many attempts and mistakes I honed the process to create consistent works. Part of my attraction to the processes comes from the fact that, unlike traditional photography, there is just one finished product. While I could, technically, create two photographs at the scene, each would be unique.

Join us for the Vernissage:
April 7th; 5-8pm.
Crichton St. Gallery
299 Crichton St.,
Ottawa.

Support Ottawa Riverkeeper through the show!
A percentage of sales will be donated to the Riverkeeper as well as a donation from the Crichton Street Gallery. You may donate to the Ottawa Riverkeeper and learn about the good work they do at the Vernissage.

The show runs until April 29th.
Update!
Thanks to supporters of “Watershed.” I just sent Ottawa Riverkeeper over $150 as proceeds from sales of Watershed artworks at this show. Your purchases help support the good work the Riverkeeper does.

Thank-you!

#1130 Forest School

Posted on January 30, 2017 by admin

Forests – amazing classroom potential

It seems wherever we go in life we keep circling back to similar themes. I started teaching in the outdoors with Outward Bound in the mid 1990s and am returning to a taste of different outdoor teaching with Chelsea Forest School. The path to now has been an interesting one as my teaching philosophy continues to develop…

At school I excelled within the arts – physics and engineering were far from my core interests… until I needed them for an arts-based application.

About four years ago I wanted to buy a very large format camera to pursue a new part of my Watershed project. The negative from this camera is eight inches by ten inches. It’s a big camera. It wasn’t long before I realized the easiest way to acquire one (they’re expensive and scarce) was to build one myself. All of a sudden, I had a new passion for the physics of light applicable to designing and building a camera…. It made learning easy.

Learning math and science through art…

This experience helped shape my philosophy of education.

During Teacher’s College I discovered Forest School. I started learning about Forest School’s Learner Led Learning philosophy and fell in love with the idea. Why? At Forest School students are the driving force in their learning. Their teachers’ role is to build the curriculum around the students’ interests. Learners learn because they direct the learning… I wangled a way to visit a Forest School as part of my practicum and enjoyed what I saw.

Last year I had a great year. I led a traditional, but active, classroom. For me that meant as little sitting at desks as possible, more spirited debates, less worksheets, more hands-on learning. It wasn’t Forest School but I brought influences from many philosophies to the classroom.

Traditional Classroom Teaching

I saw the benefits of an active class. One of my students last year had had a tough year the year before. Initially he didn’t want to go to school. By the end of the year all that changed. I received a letter from his home that described the boy as thriving – his desire to skip school had vanished. Active learning has its benefits. Stories like this made me smile (more.)

This year I’m exploring my passions in teaching and enjoying some different contracts / opportunities…

I feel fortunate to be working a contract at Chelsea Forest School. The Learner Led Learning model is central to the teaching at the school. My job is to provide an environment that supports their interests and to build the curriculum around their passions. We spend almost all the time outside, in or near a forest.

Chelsea Forest School learning

As a teacher it’s challenging – we need to support environments conducive to learning and be a catalyst as children discover and become engrossed in animal tracks, snow sculptures, bugs, imaginary space ships.

As a teacher it’s also lovely – watching students discovering, wandering, counting, building. I’ve never had to urge a Forest School student to get on with their work. Ever. Children always find something interesting and their work becomes play. And they learn!

… My 8×10 plywood camera still works well. It was designed and built with the zeal of true intrigue – the essence of positive learning. That’s what learning looks like for me.

Home-made large format camera.

#1129 Holiday Print Sale

Posted on December 10, 2016 by admin

HoHoHo!

Looking for a last minute gift for someone on your list?
Are they naughty or nice?
I’ve selected sale priced and current prints available for either group.

Naughty or Nice?
You choose.
… ZZ Top not for sale

Prints from my days covering music starting at $25 for smaller, unframed prints. There are larger works, too, some framed. Printed by Dave Andrews.

Tanya Tagaaq, John Prine, Blue Rodeo, Herbie Hancock, Allison Kraus, Ben Harper, Kool and the Gang, Blind Boys of Alabama, Annie DiFranco, Sarah Harmer +++…

Who do you know?

There are $20 posters, too:

Icelandic Pony

There are also current (and more expensive) original works from Watershed and SunStreaks work…

Watershed: One-of-a-Kind, Direct-from-Camera Originals

And I have a classic for your hockey lover – limited edition framed:

Outdoor Pond Hockey

I’m currently available December 17th in the afternoon and could arrange other times to show some gift ideas. Please email or call to arrange a visit. Harry at HarryNowell dot com

We’re gearing up for some holiday cheer. We celebrate with more events than gifts but always aim to support local businesses.

Happy holidays to all…

#1126 Imperfection – Manufactured or Natural Beauty

Posted on August 14, 2016 by admin

The words “perfection” and “beauty” evoke high expectations and standards that many spend lifetimes pursuing…

Manipulated Perfection
Actors, models and news anchors are expected to appear in perfect form but, as this Dove video shows, it is often after much manipulation including make-up. The beauty of the Dove video is that natural beauty occurs everywhere – it’s our expectation of manufactured perfection that should be questioned.

Photography has followed the same path in the last few decades. Initial photo captures are manipulated, massaged, changed, and doctored to take a natural element and transform it into an ideal that aligns with one’s beliefs. Often the end result has little resemblance to the initial element being photographed.

Watershed – Chelsea Creek; near Old Chelsea Village – In the capture, above, I juxtaposed the light levels of the silhouetted underside of the bridge, the bright forest and the strip of well-exposed shade directly under the bridge.

Natural Perfection
About five years ago I started exploring with old, low-tech photography in the pursuit of a more authentic approach to capturing the perfection that surrounds us everyday.

I started searching for processes that were simple and pushed my core photo skills rather than my processing and editing skills.

Low Tech Photo Process
I came across a process that allows me to put the final paper of the artwork into the camera resulting in a (photographically) positive final piece. My only tools to capture the beauty before my camera are shutter speed and aperture. In the dark room there is little room for manipulation and processing except for some contrast and minor tinting possibilities.

Low-tech, plywood, large format camera

The results are original artworks that record the bare beauty of the subject before me. I need to select the exposures for the most valuable part of the scene – I can only capture what lies before me. There are imperfections but, for me, that adds to the beauty of the piece.

In the black & white capture, above, I juxtaposed the light levels of the silhouetted underside of the bridge, the bright forest and the small strip of well-exposed shade directly under the far end of the bridge.

I was also clear as this project developed that I wanted the artworks to stand alone – they come straight from the camera. Each capture is unique.

Photos include my personal representation of the watershed I have been following for 15 years.

New Works and Hand Crafted Frames
As I prepare for the upcoming show with Emily Rose Michaud – InterconnectedWatershed – I have chosen to frame the new works with the help of a seasoned cabinetmaker who has been crafting and installing premium furniture and cabinets for 15 years. He has built the frames with the same care that he builds his exquisite furniture. While the frames are all the same and benefit from Mark’s experience, they are all unique pieces that mirror the one-of–a-kind artworks that they protect.

Custom, hand-built frames

Vernissage Details
Come to the vernissage as part of Wakefest – Friday, August 19^th, 2016 from 6-8pm – Rutherfords; 753 ch Riverside, Wakefield.
The show runs until September 23rd, 2016.

#1125 InterconnectedWatershed

Posted on August 9, 2016 by admin

InterconnectedWatershed is the melding of two water-based art projects that are naturally linked. I have teamed up with Emily Rose Michaud to present our bodies of work on the Gatineau River and Chelsea Creek. The show opens August 19th at Rutherfords’ in Wakefield, Quebec as part of Wakefest.

Emily, a interdisciplinary artist who drew international attention for her Roerich Garden Project is exhibiting her layered cyanotype drawings based on flora and topographical maps from around the Gatineau River watershed.

I’m excited to be collaborating on a project connecting our watershed works – Emily is interested in the Gatineau River and I have been working on a project capturing the Chelsea Creek watershed (which flows into the Gatineau River) for 15 years:

Some previous Watershed work.

I’ll be exhibiting some new, one-of-a-kind works based on a direct process that allows me to capture the artwork directly onto paper within one of two traditional, low-technology cameras – one I built from plywood.

Home-made large format camera.

What intrigues me about this process is the challenge to get a close to perfect PHOTO. There is no negative or processing once the lens of the box camera is closed. In traditional film or digitally captured processes, the artwork can be processed in the darkroom or computer to alter the end product. In the process I am using there is no manipulation possible once the lens is closed. The only time for adjusting the final outcome of the artwork occurs when the lens is open and exposing the paper – usually four seconds to 25 minutes.

This artwork is created by placing one (and only) sheet of paper directly in the camera. Only one photograph is created – it’s one-of-a-kind.

The process pushes my limits and wrenches my gut. If I am using a 20 minute exposure the light is fading to dark and there is no chance to try again… In this instance I have one chance to get it “exhibition perfect.”

I am now working with a custom, fine furniture maker to create hand-made frames. Just as each art piece is unique, each of my latest frames is hand crafted. They are works of art themselves.

I’ve been traveling some sections of my local watershed regularly and it’s fascinating to see the creek change so dramatically over the years.

The creek crossing, below, changes every year – a slightly new route, someone “fixes” the wooden bridge, erosion (or humans) take down trees.

Captured on paper directly in a large format camera.

I’ve explored from Fortune Lake almost to highway 105 – 20km. I have 5km to go to get to the Gatineau River.

The diversity along the watershed also fascinates me. Come to the show and see for yourself:

Bistro Rutherford
753A Riverside Dr, Wakefield, Quebec
Vernissage: Friday, August 19th (6-8pm)
Show runs until September 23rd, 2016.

#1121 Large Format Photography

Posted on March 26, 2016 by admin

The more advanced photography becomes the more I find myself chasing simpler technology.

8×10 Home-made plywood camera

High Tech Photography
I admire the tech that’s now available – the potential is amazing if placed in the correct hands. Even in the wrong hands amazing things can happen. That’s good news for many but not so exciting for me.

Large Format Film
Part of what I like about shooting on film is the challenge to create excellence without the support of digital previews and post processing. Technically, a film photo boils down to the correct interpretation of the physics of light using only shutter speed, aperture, recording media and a lens. That’s it.

8×10 Camera Lens – mounted on a wood lens board.

Direct Paper
In the last five years I’ve experimented with shooting directly onto paper loaded into the camera. The paper becomes the unique, final product after simple, traditional processing. There is no recovery for “oops” in the darkroom or computer. There’s no negative, no digital file… just one chance to get it perfect. Click. The big camera and direct process forces me to slow down before I open the shutter.

Sun Streaks captured within my large format cameras.

And that’s what I like. Shooting SunStreaks and my latest Watershed works tests my skills and patience. I can bracket exposure but, at two minutes to eight hours per exposure that gets impractical and expensive.

When I do make mistakes I am discouraged. But when the photos are excellent, straight from the camera, that makes me smile wider than anything I shoot digitally.

My Cameras
I have two large format cameras:
• Graflex 4×5 – Mine is very old. It’s so old I found a similar Graflex (below) in a museum. It’s simple. It uses no batteries. I dropped my Graflex in a lake – totally submerged. It still works well after a thorough drying!

Graflex on display at the Canadian Aviation Museum,

• Home-Made 8×10 View Camera – I had trouble finding an affordable 8×10 field camera. Someone gently prodded “They’re not hard to build – just a box with a lens…” I spent a summer tinkering with ideas and, with the help of a friend’s added suggestions and precision tools, we built the 8×10 camera out of plywood. I added a Schneider lens and it’s still producing excellent results.

8×10 Camera – Watershed

I use the two cameras predominantly to capture my Sun Streaks and Watershed projects. It’s an enormously slow and challenging process compared to phast photography using current equipment. I like the challenge!

#1119 – 2015 Christmas Photo Sale

Posted on December 19, 2015 by admin

I’ve had a great year.
I have many people to thank who helped…
Details about my “thank-you” photo sale are below.

Teaching
I took a leap of faith and went back to school in 2014 to become licensed as a traditional elementary teacher. Teaching has always been part of what I do. I graduated Magna Cum Laude from UOttawa and started supply teaching right away in West Quebec.

A “very stern(!)” Mr. Nowell in grade 4.

In August, I was offered a four month replacement contract at our local elementary school. I bring different personas to the classroom: “stern teacher,” voyageur, inspector, newspaper reporter, pirate and others to liven up the teaching. I’m happy to say my contract has been extended until the end of June. I am grateful to those that supported my passion and always-growing skills as a teacher. Thank-you! I love it!

Photography

Watershed one-of-a-kind art photography

Christmas Photo Sale
My Watershed collection of artwork continues to develop. I continue to shoot and explore 25km of our local watershed in Gatineau Park and Chelsea. I am capturring a creek from Camp Fortune to the Gatineau River with my large format cameras and a process that allows me to create positive prints straight from the camera. The photo paper is loaded directly in the camera… the end result is a one-of-a-kind photograph.

Large Format Camera capturing the sunrise

Large Format Camera capturing a sunstroke (see Sunstreak link below) at St. Stephen’s Church – a SunStreak original.

As a thank-you to all that have supported my vision and passions I am offering 10% off available photos with an additional 10% going to the Ottawa Riverkeeper. Contact me to see some Watershed or other work. There are traditional photos from years of shooting music, Sunstreaks, and Watershed. There’s a wide range of prices from $20 for posters to $thousands for large, limited run photographs.

The sale lasts until January 3rd, 2016. Viewings are by appointment only in Old Chelsea, Quebec.

Watershed art work – a 4×5, one-of-a-kind photograph from the Watershed Collection.

Our Photo Studio
Our Ottawa studio on Preston St. is now the home of Style Zone – a boutique of men’s fashion. Teaching photography will be offered more in the summer is available as time permits.